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 Eclipse Series 13: Kenji Mizoguchi's Fallen Women (Osaka Elegy / Sisters of the Gion / Women of the Night / Street of Shame) DVD

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 : Eclipse Series 13: Kenji Mizoguchi's Fallen Women (Osaka Elegy / Sisters of the Gion / Women of the Night / Street of Shame)

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Aspect Ratio: 1.33:1
Audience Rating: Unrated
Binding: DVD
EAN: 0715515033527
Format: Box set, Black & White, Dolby, DVD-Video, NTSC, Subtitled
Label: Criterion Collection
Manufacturer: Criterion Collection
Number Of Items: 4
Publisher: Criterion Collection
Region Code: 1
Release Date: October 21, 2008
Running Time: 299 minutes
Sales Rank: 11307
Studio: Criterion Collection
Theatrical Release Date: 2008




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Editorial Review:

Product Description:
Over the course of a three-decade, more than eighty film career, master cineaste Kenji Mizoguchi (Ugetsu, Sansho the Bailiff) would return again and again to one abiding theme: the plight of women in male-dominated Japanese society. In these four lacerating works of socially conscious melodrama two prewar (Osaka Elegy, Sisters of the Gion), two postwar (Women of the Night, Street of Shame) Mizoguchi introduces an array of compelling female protagonists, crushed or resilient, who are economically and spiritually deprived by their nation's customs and traditions. With Mizoguchi's visual daring and eloquence, these films are as cinematically thrilling as they are politically rousing.

Amazon.com:
This Mizoguchi quartet both anticipates and reinforces the director’s other comfort-women classics, like 1952's The Life of Oharu. If the Japanese master would tackle larger-scale works in the years between, these intimate dramas hold their own. Opening jazz refrain aside, Osaka Elegy strikes a melancholy chord in its depiction of an office worker casually degraded by the men in her life. At first, Ayako (Isuzu Yamada) resists the advances of her married employer, but when the capacity to support her deadbeat dad and ungrateful brother becomes unmanageable, she relents, despite her interest in a more appropriate (if equally judgmental) suitor. Also from 1936, the Kyoto-set Sisters of the Gion concerns a cynical geisha, Omocha (Yamada), who tries to provide a better life for her subservient sister, Umekichi (Yôko Umemura), even if she has to break several hearts--and even a few bones--in the process. What sounds like Tinsel Town-style melodrama plays out in a matter-of-fact, yet no less affecting manner in Mizoguchi's unsentimental hands.

In 1948's Women of the Night, the filmmaker returns to Osaka to focus on Fusako (Kinuyo Tanaka), a poverty-stricken widow who rebuilds her life after the war, then loses it all when her boss and sister betray her. Though Natsuko (Sanae Takasugi) attempts to make it up to Fusako, the situation only worsens once rape, syphilis, and pregnancy enter the picture (the liner notes indicate that Mizoguchi later dismissed this tough-minded movie as "barbarous"). His final film, 1956’s Street of Shame, centers on a Yoshiwara brothel that operates like any other retail establishment. The most painful strand concerns an aging courtesan facing an Oharu-like future. Overall, these women look like survivors rather than victims, but Mizoguchi leaves no doubt regarding his frustration with a social order that would create and punish such steely characters. --Kathleen C. Fennessy



Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - Japan's master dares to discuss the undiscussable
Japanese cinema had three giants, Akira Kurosawa, Yasujiro Ozu, and Kenji Mizoguchi. All three directors were famous for their fanatical perfectionism and instantly recognizable filming styles. But while Kurosawa and Ozu films are internationally renowned and routinely make greatest films of all time lists, Mizoguchi films are still rather unknown. Thankfully, Criterion is addressing this mistake, as it has released Ugetsu, Sansho the Bailiff, and now this 4-DVD collection of films: Osaka Elegy (1936), ... Read More



Rating: 4 out of 5 stars - Great Art, Missing Parts
THE SET: I'm finding there is a sort of "as is" quality to Criterion's Eclipse Series. It appears from the running times of these films that Criterion has used the same versions that came out on VHS in 1979. Critic Tadao Sato, who wrote on Mizoguchi's work in 2006, was able to view complete copies of the films. That being the case, I wonder why these films are missing a collective total of 75 minutes?

Here's the damage: 18 mins. missing from OSAKA ELEGY, 26 mins. from SISTERS OF THE GION, ... Read More



Rating: 5 out of 5 stars - Fallen women were his obsession
This box set consists four excellent films of a great master, Mizoguchi who were obsessed with the stories of suffering women. Sometimes I have to agree with people who call him a sexist because of this, his favorite theme, with which he beautified the images of fallen women in so many of his films. However, I think his sexism was more complex than the simple belief of male superiority. As many Japanese men in those days grew up with witnessing their mothers and sisters sacrificed themslves for their husbands, ... Read More



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